♡ by Jane Remover
♡ (pronounced as the heart emoji or 🫶) is a six-track EP by Jane Remover, surprise-released on December 5, 2025, via deadAir. The project functions as a curated snapshot of the artist’s long-teased “pop album” era, compiling 2024 singles like “Flash in the Pan” and “Magic I Want U” alongside new tracks “So What?” and “Music Baby“. Stylistically, it marks a shift toward atmospheric alternative pop, R&B, and glitch pop, favoring intricate textures and emotional intimacy over the aggressive EDM and digicore sounds of her previous 2025 album, Revengeseekerz. Described by Remover as a collection of moments that “can never be recreated,” the EP captures a nostalgic, summer-night energy through its blend of infectious hooks and experimental production.
Sister by Frost Children
Released in September 2025, SISTER is the third studio album from the New York-based sibling duo Frost Children, composed of Angel and Lulu Prost. The record marks a stylistic return to the high-energy, “brain-melting” EDM and electroclash that defined their early work, specifically drawing inspiration from 2010s-era festival giants like Skrillex and Zedd. While the production is maximalist and club-ready—featuring heavy synths and collaborations with artists like Kim Petras—the lyrics are notably introspective, exploring the duo’s close sibling bond, feelings of self-doubt, and the complexities of rising fame. Critics have described it as a “sincere 2010s pop perfection” that balances euphoric dancefloor energy with vulnerable, dewy-eyed sentiment.
Revengeseekerz by Jane Remover
Released on April 4, 2025, through the deadAir label, Revengeseekerz is the third studio album by American producer and musician Jane Remover. Moving away from the intimate shoegaze and post-rock textures of her previous record, Census Designated, this 12-track project is a maximalist explosion of digicore, rage rap, and experimental EDM. Conceptually inspired by the film Kill Bill, the album explores themes of fame, retribution, and artistic reinvention, featuring dense production layered with video game samples and a notable guest appearance from Danny Brown. Critics have hailed it as a “self-referential tornado” that balances abrasive, bass-heavy drops with vulnerable, introspective lyricism.